😏 The Media’s Mirror: How Japan’s Press Keeps the Old Boys’ Club Alive – Market News – 12 October 2025

When Sanae Takaichi turned the chief of Japan’s ruling Liberal Democratic Get together (LDP) in October 2025, world media referred to as it a revolution: Japan’s first lady to face on high of its political pyramid. But the home press had different plans. Headlines targeted on her loyalty to Shinzo Abe, her temperament, and even her coiffure—much less about her financial insurance policies and extra about her “tone.” The distinction revealed a deeper reality: in Japan, the media doesn’t simply report energy—it protects it.

🤔The Framing Sport

Protection in the course of the management race confirmed how framing defines notion. Takaichi was referred to as “hardline,” “emotional,” or “too sturdy.” In Japanese media, these phrases typically substitute for “unfeminine.” Coverage questions on protection, inflation, or overseas relations took a backseat to way of life particulars. When males are assertive, they’re “decisive.” When ladies are assertive, they’re “abrasive.” It’s an previous playbook nonetheless alive within the newsrooms of Tokyo.

📺Symbolism over Substance

After a short celebration, skepticism took middle stage. Speak reveals crammed with male pundits debated whether or not a girl might “unite the celebration” or “command respect overseas.” Information anchors puzzled if she might “deal with strain.” However none requested whether or not Japan’s media might deal with a feminine prime minister. Structural points just like the gender wage hole, political harassment, and work–life coverage had been left unstated. Takaichi turned each topic and image—a mirror reflecting a society uncomfortable with ladies in management.

🎥Behind the Cameras

The imbalance isn’t simply on-screen. A 2024 survey by the Japan Federation of Press Employees’ Unions discovered that lower than 15 p.c of editorial managers are ladies. Male anchors dominate prime-time political applications, deciding which tales matter. When feminine politicians face harassment, studies soften the language—“verbal exchanges,” “misunderstandings.” The press, consciously or not, shields male conduct from scrutiny and treats sexism as an editorial footnote.

👓The Paternal Lens

Interviews with feminine lawmakers expose a quiet sample: reporters asking about household life, trend, or “instinct.” Such questions aren’t innocent—they reinforce the idea that girls in politics are company in a male area. Feminine journalists who problem this tradition typically face the identical patronizing tone inside their very own organizations. Journalism turns into a mirrored image of the facility construction it claims to analyze.

🌍Worldwide Distinction

Elsewhere, media reforms have rebalanced the narrative. In New Zealand and the Nordic international locations, ladies maintain round 40 p.c of newsroom management roles. Research present this variety shifts protection towards substance: coverage over persona. Japan’s ratio stays beneath 15 p.c, guaranteeing that the “previous boys” nonetheless management the digital camera angles. The distinction isn’t solely cultural—it’s structural.

🔄The Suggestions Loop

Media bias shapes public expectation. Viewers internalize gendered cues—males as rational, ladies as emotional—and carry them to the poll field. Politicians adapt, firming down assertiveness to keep away from being labeled “shrill.” Thus, the press not solely mirrors inequality however multiplies it. Japan’s democracy finally ends up echoing its personal prejudices again by means of each display screen.

😐Reflection

Takaichi’s rise revealed two ceilings: the glass certainly one of politics and the mirrored certainly one of media. So long as political journalism stays dominated by males, each lady who positive factors energy shall be framed as an exception, not a precedent. If Japan desires a contemporary democracy, it should reform not simply who leads—however who tells the story. Till then, even its first feminine prime minister will stay a supporting character within the narrative written by the previous boys behind the cameras.